Lianke yan social amnesia1/11/2024 ![]() His current research projects include “Ide©ology: Environmental Objects and Chinese Ecocriticism,” “Chivalrous Psychogeography: Martial Arts, Avant-Gardes, Sinophone Cinema,” and “Reviving Northeast China: 21 st Century Literature and Film Beyond the Great Wall.” He is the editor of Selected Works of Xu Dishan (1997, 2000, 2008, 2010), co-editor of Environmental Humanities, Ecocriticism, Nature Writing (with Yu-lin Lee, 2019), and Northeast China Reader (with David Der-wei Wang, work in progress), as well as the Chinese translator or co-translator of Repressed Modernities (2003, 2005, 2008, 2011), Translingual Practice (2002, 2008, 2014), Comparative Poetics (1998, 2004), The Structural Transformation of Public Sphere (1999, 2000, 2002, 2004, 2005), Understanding Popular Culture (2001, 2006), and After the Great Divide: Modernism, Mass Culture, Postmodernism (2010). He is the author of Mapping Modern Beijing: Space, Emotion, Literary Topography (Oxford University Press, 2017) and the author, in Chinese, of From Entertainment Activity to Utopian Impulse: Rereading Jin Yong’s Martial Arts Fiction (1999 revised and enlarged edition, forthcoming) and China, Literature, and the United States: Images of China in American and Chinese-American Novel and Drama (2003). Professor Weijie Song’s research interests include modern and contemporary Chinese literature and film, urban imagination, martial arts narratives, popular culture, environmental humanities, comparative imagology, as well as Sinophone and diaspora studies.
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